She holds down resident duties at Jaeger Club and also famously runs Schloss records from a defunct Porsche repair shop together with Ida Ekblad. "I want to be traumatised to work," she has said before, which explains her often dark, heads down approach to making you dance.

There is a lot packed in to her far-travelling mix, which is every bit for listening to as much as it is for dancing. From the kinked techno rhythms of the first half to the spoken word oddities at the mid point via loose limbed drum work scattered in between, Karima twists and turns her way through a leftfield world of sound that is very much her own.